• ‘A Study on Two Approaches of Musical Export and the Conception of “Independence” for Taiwanese Musicians’, 歐洲台灣研究年會，諾丁罕托倫特大學 (2019)
•‘Hearing “the Voice of China”: Reality Shows, Soft Power and the Representation of the Nation’: Who’s Shaping the Real?, 理論與流行文化會議，利物浦希望大學 (2018)
•‘Chineseness in China Wind Pop Songs: Two Case Studies’, 第六屆亞際流行音樂研究雙年會, 中國傳媒大學(2018)
•‘A Tale of Two Versions: Censorship attitudes of UK-based Chinese students towards Taiwanese Popular Music’, 歐洲台灣研究年會，蘇黎世大學 (2018)
•‘Popular Music and the Sense of “Place” in Taipei and Liverpool: Cases on Mayday, Jay Chou, and the Beatles’, ‘Perspectives on 30 Years since the Lifting of Martial Law in Taiwan’, 倫敦亞⾮⼤學夏⽇學院 (2017)
•‘After Governmental Advisory: Music Censorship in Post-Martial Law Taiwan’, 歐洲台灣研究年會，威尼斯福斯卡里宮大學(2017)
•‘Chasing the China Wind: questions of Chineseness on the ethnographic filmmaking journey’, 第五屆亞際流行音樂研究雙年會, 墨爾本皇家理工大學 (2016)
 

Lin, C., Chen, Y. S. and Chen Y. H. (2020) ‘Perceptions of Popular Music Censorship in Post-Martial Law Taiwan’, Asian Education and Development Studies.
Lin, C. and Um, H. (2017) ‘From Blue and White Porcelain to Island’s Sunrise: Post-1990s Audience’s Perceptions of Chineseness and Taiwaneseness in Taiwan’s Popular Music’, Journal of East Asian Popular Culture, 3(2), 153-167.

 

Lin, C. (2021, preparing) ‘From the Centre of Mandopop to Indie Music Capital? The Conception of “Independence” and the Challenges for Taiwanese Musicians’, in N. Guy. (ed) Resounding Taiwan: Musical Reverberations Across A Vital Island, Routledge: New York.
Lin, C. (2019) ‘Multidimensionality of Chineseness in Mandopop: Jay Chou’s China Wind Pop and the Transnational Audience’, in E. Tsai, T. Ho, and M. Jian. (eds) Made in Taiwan: Studies in Popular Music, Routledge: New York.