英國藝術與人文研究會 (Arts and Humanities Research Council) 電影獎 (Research in Film Awards) 社群媒體短片獎 (The Social Media Short Award)入圍
2018
歐洲台灣研究學會 (European Association of Taiwan Studies) 年輕學者獎 (Young Scholar Awards) 首獎
2016
英國藝術與人文研究會 (Arts and Humanities Research Council) 電影獎 (Research in Film Awards) 烏托邦 (The Utopia Award) 獎項入圍
2018
皇家音樂學會 (Royal Music Association) Thurston Dart Award
經歷
2019 - Present
英國音樂廠牌Ostereo 教育顧問
2019 - 2020
國家文化藝術基金會研究調查補助：台北流⾏音樂地圖先導計劃
2019
Three Sound Cities: Liverpool, Beijing and Seoul 紀錄片導演及製作人
2019/4, 2019/9
捷克馬薩里克大學(Masaryk University) 訪問教授
2018 - 2019
英國利物浦大學 (University of Liverpool )⾳樂系約聘講師
2018 - 2019
英國利物浦大學⾳樂系博⼠後研究員：Liverpool Sound City 音樂節與亞洲市場研究
2017/6
披頭四專輯「花椒軍曹與寂寞芳心俱樂部」50 週年紀念：喬治哈⾥森與印度古典⾳樂會紀錄片製作人
2014
利物浦皇家愛樂交響樂團 (Royal Liverpool Philharmonic Orchestra) 研究員：低收入社區與家庭觀眾參與研究
研討會論文
• ‘A Study on Two Approaches of Musical Export and the Conception of “Independence” for Taiwanese Musicians’, 歐洲台灣研究年會，諾丁罕托倫特大學 (2019)
•‘Hearing “the Voice of China”: Reality Shows, Soft Power and the Representation of the Nation’: Who’s Shaping the Real?, 理論與流行文化會議，利物浦希望大學 (2018)
•‘Chineseness in China Wind Pop Songs: Two Case Studies’, 第六屆亞際流行音樂研究雙年會, 中國傳媒大學(2018)
•‘A Tale of Two Versions: Censorship attitudes of UK-based Chinese students towards Taiwanese Popular Music’, 歐洲台灣研究年會，蘇黎世大學 (2018)
•‘Popular Music and the Sense of “Place” in Taipei and Liverpool: Cases on Mayday, Jay Chou, and the Beatles’, ‘Perspectives on 30 Years since the Lifting of Martial Law in Taiwan’, 倫敦亞⾮⼤學夏⽇學院 (2017)
•‘After Governmental Advisory: Music Censorship in Post-Martial Law Taiwan’, 歐洲台灣研究年會，威尼斯福斯卡里宮大學(2017)
•‘Chasing the China Wind: questions of Chineseness on the ethnographic filmmaking journey’, 第五屆亞際流行音樂研究雙年會, 墨爾本皇家理工大學 (2016)
期刊論文
Lin, C., Chen, Y. S. and Chen Y. H. (2020) ‘Perceptions of Popular Music Censorship in Post-Martial Law Taiwan’, Asian Education and Development Studies.
Lin, C. and Um, H. (2017) ‘From Blue and White Porcelain to Island’s Sunrise: Post-1990s Audience’s Perceptions of Chineseness and Taiwaneseness in Taiwan’s Popular Music’, Journal of East Asian Popular Culture, 3(2), 153-167.
專書
專書論文
Lin, C. (2021, preparing) ‘From the Centre of Mandopop to Indie Music Capital? The Conception of “Independence” and the Challenges for Taiwanese Musicians’, in N. Guy. (ed) Resounding Taiwan: Musical Reverberations Across A Vital Island, Routledge: New York.
Lin, C. (2019) ‘Multidimensionality of Chineseness in Mandopop: Jay Chou’s China Wind Pop and the Transnational Audience’, in E. Tsai, T. Ho, and M. Jian. (eds) Made in Taiwan: Studies in Popular Music, Routledge: New York.
